Conductor News

Darwin’s recent accomplishments in Dominican Newspaper (in Spanish)

The Dominican conductor, composer and violinist has forged his career by fusing the African and Hispanic roots of the Caribbean with his classical training…

Interview: STLPHIL premieres Jocelyn Hagen’s music

Interview: STLPHIL premieres Jocelyn Hagen’s music

Darwin Aquino, the Music Director of the The Saint Louis Philharmonic and Leanne Magnusen Latuda, Artistic & Executive Director of the Saint Louis Women’s Chorale, spoke with Kathy Lawton Brown about their joint concert on April 28 that features music of Benjamin Britten, Maurice Ravel, and two St. Louis premieres: “Seis Sones Sencillos” by Carlos Fariñas and Antonio María Romeu and “The Notebooks of Leonardo da Vinci” by Jocelyn Hagen…

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Darwin’s conducting debut with OTSL

Darwin’s conducting debut with OTSL

Last year, Opera Theatre of St. Louis started an experiment. The first fruits of that experiment can be seen March 16-18 at COCA’s Catherine B. Berges Theatre. The creative team also includes conductor Darwin Aquino and choreographer Kirven Douthit-Boyd…

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Article about opera premiere and Darwin’s musical life (In Spanish)

Article about opera premiere and Darwin’s musical life (In Spanish)

El estreno, en la Gran Opera de Miami, de «El Matrimonio Secreto» de Domenico Cimarosa, uno de los más prolíficos compositores del siglo dieciocho, que llegó a componer ochenta óperas y fue maestro del género «comedia bufa» o comedia cómica, muy popular durante aquella época por su acercamiento a temas populares, sus ágiles dúos y tríos, recitativos hablados y por su risueña trama, marca historia al ser una versión totalmente cantada en español.

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Conducting debut at the Interlochen Center for the Arts

Conducting debut at the Interlochen Center for the Arts

Dominican conductor and composer Darwin Aquino continues to raise international attention and to inspire audiences and artists all around the world with his charismatic energy. Aquino’s constant presence in multiples stages is seen as a bright light for diversity and inclusion in classical music.

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