News

Conducting at the Center Stage Concert

As Head of Music of Opera Theater of Saint Louis, Darwin was part of the conducting team for the Center Stage Concert at the end of the 2026 Festival Season, on June 24th.

Appointed as new Head of Music at OTSL

Appointed as new Head of Music at OTSL

Darwin was selected as Opera Theatre of Saint Louis’s new Head of Music for the 2025 Festival Season, working alongside world class artists in four operas and the Center Stage concert with the Saint Louis Symphony Orchestra (SLSO)

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Radio talk on Viva Rachmaninoff

Radio talk on Viva Rachmaninoff

St. Louis Philharmonic Orchestra Music Director Darwin Aquino and pianist Brian Woods talk with Kathy Lawton Brown about “Viva Rachmaninoff” (Friday, April 25, 2025). This concert features Sergei Rachmaninoff’s Piano Concerto No. 3, performed by Woods.

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Interview: STLPHIL premieres Jocelyn Hagen’s music

Interview: STLPHIL premieres Jocelyn Hagen’s music

Darwin Aquino, the Music Director of the The Saint Louis Philharmonic and Leanne Magnusen Latuda, Artistic & Executive Director of the Saint Louis Women’s Chorale, spoke with Kathy Lawton Brown about their joint concert on April 28 that features music of Benjamin Britten, Maurice Ravel, and two St. Louis premieres: “Seis Sones Sencillos” by Carlos Fariñas and Antonio María Romeu and “The Notebooks of Leonardo da Vinci” by Jocelyn Hagen…

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Darwin’s conducting debut with OTSL

Darwin’s conducting debut with OTSL

Last year, Opera Theatre of St. Louis started an experiment. The first fruits of that experiment can be seen March 16-18 at COCA’s Catherine B. Berges Theatre. The creative team also includes conductor Darwin Aquino and choreographer Kirven Douthit-Boyd…

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Article about opera premiere and Darwin’s musical life (In Spanish)

Article about opera premiere and Darwin’s musical life (In Spanish)

El estreno, en la Gran Opera de Miami, de «El Matrimonio Secreto» de Domenico Cimarosa, uno de los más prolíficos compositores del siglo dieciocho, que llegó a componer ochenta óperas y fue maestro del género «comedia bufa» o comedia cómica, muy popular durante aquella época por su acercamiento a temas populares, sus ágiles dúos y tríos, recitativos hablados y por su risueña trama, marca historia al ser una versión totalmente cantada en español.

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