Performance: Alla Voskoboynikova
Direct link to the beginning of the work on youtube:
UMSL Piano Studio Presents:
Music by Latin American Composers
May 4th, 2021 | 7:30 pm
The following text was taken from: Music of Latin America makes cultural connections during UMSL’s Piano Studio livestreamed concert (USML Daily – May/7/2021)
After stepping onto the darkened stage of the Lee Theater at the Blanche M. Touhill Performing Arts Center, Alla Voskoboynikova posed what could have been a difficult question to Darwin Aquino: Why is the music of Latin America so enjoyable?
Aquino answered deftly without missing a beat.
“The folklore is so important in our countries,” the native of the Dominican Republic and director of the University of Missouri–St. Louis Symphony Orchestra said. “We dance a lot. We sing a lot. Everything in Latin America is a little gathering – a little party. All that is part of who we are, is part of our culture, and I believe that’s why this music is so enjoyable.”
It was just a taste of the insight he and Voskoboynikova, director of keyboard studies at UMSL, offered while hosting the UMSL Piano Studio’s “Music of Latin American Composers” virtual concert Tuesday evening.
Dozens tuned into the event livestreamed from the Touhill to hear UMSL piano students perform the music of composers from Argentina, Brazil, Cuba, the Dominican Republic and Mexico. In addition to those works, Voskoboynikova premiered a piece written by Aquino.
Before introducing the first student performance, Voskoboynikova noted that many people felt fortunate because so many Latin American composers wrote music specifically for the piano. Aquino also elaborated on the history and spirit of the music.
“Latin American music is – I believe – the perfect mixture of European culture and African culture,” he said. “That’s why we can hear beautiful melodies. Some European piece by a classical composer is tonal music, but at the same time, you have those energetic rhythms from African culture. Sometimes they don’t have the accent on the strong beat, but they do have the accent or the emphasis on the weak, and that’s why we want to dance to this music.”
Voskoboynikova closed the concert with “Romanza de Amor” by Mexican Manuel Ponce and Aquino’s original piece, “Subito Papillo.” Aquino explained that the title refers to the Italian musical term “subito piano,” which translates to “suddenly soft.”
Aquino decided to put a playful twist on the term.
“I have a friend from the Dominican Republic, and it has been a path in my life as a composer to compose music for friends and colleagues and to capture little moments of life,” he said. “His name is a Emmanuel Berrido. He is a composer from the Dominican Republic. Performing one of his pieces, we started joking about this dynamic of subito piano. I call him Papillo, Papillo is a nickname in the Dominican Republic, and we started joking about ‘subito piano‘ and ‘subito Papillo’ at the same time.”
Voskoboynikova provided a theatrical flair to the tropical waltz, striking the keys with authority and relenting quickly during the “subito piano” to put an index finger to her lips, as if to say, “Shhhh.”
Aquino was thrilled to premiere the piece but equally happy to introduce the audience to the region’s storied composers.
“Actually, many of the pieces that we have listened to tonight are St. Louis premieres, as well, so a very special night to share music from Latin America,” he said.